Nicholas Krushenick (American, 1929–1999). Iron Butterfly, 1968. Screenprint on Schoellers parole cardboard paper, 35.5 x 27.5 inches each. Grand Rapids Art Museum, Gift of Wouter F. Germans New York, NY. Courtesy the Estate of Nicholas Krushenick and Garth Greenan Gallery, New York
Mar 23, 2019 — Jun 2, 2019
A “one hit wonder,” Iron Butterfly was a1960’s psychedelic rock band remembered for their song “In-A-Gadda-Da-Vida,” achurning stew of pounding drums, reedy organ, and primitively chanted lyrics. Artist Nicholas Krushenick appropriated the band’s contradictory name for his 1968 print series, which is on view along with one other work of his in GRAM’s collection.
Like alead zeppelin, an iron butterfly would never get off the ground. Perhaps Krushenick was poking fun at his own less-than-subtle “Pop Abstract” style, which he developed in the early 1960s. In a1968 interview, Krushenick stated, “I think that every painter, whether he’s conscious of it or not, acquires amass vocabulary of forms and shapes and ideas that he keeps juggling for the rest of his life from, say, 30 until he dies.” More than fifty years later, the artist’s interactions of high-keyed color, formal rigor, and sheer graphic intensity still looks fresh andmodern.
